Venezia. Mostra del Cinema 2025. Film Eojjeol suga eopda (No other choice). Il red carpet dell’attore: Lee Byung-hun

Synopsis. Man-su, a specialist in paper manufacturing with 25 years of experience, is so satisfied with life that he can truthfully tell himself, “I’ve got it all.” While happily passing his days with his wife Miri, their two children, and two dogs, Man-su is suddenly informed by his company that he has been fired.
“We’re sorry. We have no other choice.”
Feeling as if his head has been severed by an axe, Man-su vows to find a new job within the next three months for the sake of his family. Despite his firm resolve to turn his life around, Man-su spends over a year drifting from one job interview to another, eventually working in a retail store. He finds himself in danger of losing the very house he struggled so hard to buy.
Desperate, he visits Moon Paper unannounced and tries to hand over his CV, only to be humiliated by line manager Sun-chul. Man-su knows he is more qualified than anyone to work at Moon Paper, so he comes to a certain decision: If there is no opening for me, I’ll just have to get hired by creating an opening.

Director’s Statement. Some time ago, I read a novel called The Ax. I picked it up because it was written by Donald E. Westlake, who wrote the novel behind Point Blank, one of my all-time favourite films. When reading The Ax, I found myself identifying with the protagonist — a man who believes that paper manufacturing is his entire life, whether the world acknowledges it or not. I feel the same way about filmmaking, so I could easily understand the protagonist who believes there is a certain way the head of a family and a man should be, and lives his life accordingly. After all, I’m also a man with a family of my own.
But back then, I had no idea it would take me twenty years to make this film.